Blue Jean Baby
What difference does Indie Source make for its clients? We asked Blue Jean Ba, y’s Lola Rogers.
Lola Rogers gives us a real-world look into how Indie Source delivers on its commitment to designers developing and producing their lines in Los Angeles. Lola has a commitment to Made In USA and a passion for the success of her eclectic and inspiring brand, Blue Jean Baby. In our interview, she reveals how partnering with Indie Source is making the difference in having it all come together beautifully.
Tell us about your line and what sets it apart.
Blue Jean Baby is the name of our line. My sister, Taylor, and I are from Texas, where the American classic – blue jeans – are a staple from farm girls to fashion girls alike! We love the easy going, care free vibe that a pair of blue jeans give to an outfit, but we have also always been drawn to luxurious fabrics that make up vintage lingerie, like silks and lace. Our line is a combination of these elements. We curate vintage as well as manufacture our own line.
A big part of our vintage line is our denim, predominately Levi’s 501’s, 505’s, and 517’s, but we also pick up Wrangler, Lee’s and any other unique looking denim we find when pulling vintage. The redline and selvedge Levi’s, we sell as is, in order to keep that authenticity, as some are from as early as the 1930’s. The later era denim, we rework with patches, embroidery, rosettes, etc. Our rework process is constantly evolving and it’s a lot of fun!
On the other side of things is our capsule collection, a vintage-modern twist on classic pieces like the slip dress, slip camisole, wide leg trousers, blazer with shoulder pads and a contrast hem, ruffle bloomer shorts, and a muscle tee. Our line is predominately silk, with a few cotton and rayons thrown in the mix. It is also all ivory, a simple neutral that we love because it can mix with anything … especially denim!
We love clothes that feel soft and easy, so that’s what we aim to create. Our Spring/Summer 16 line is mostly made from washed silks, linen, and cotton. We will continue to put an emphasis on quality fabric, as we believe that is what will set us apart from competing brands. High-quality fabrics are timeless.
We’re curating vintage, which we sell on Etsy currently, and once our line is being manufactured, we’re going to launch our vintage on our site, as well as our line. We’re hoping to open a storefront in Texas in the next year or so, and in the meantime we’re planning some pop-up shops in malls around Texas and possibly the LA area. We’re hoping to get on the festival scene or even get an airstream truck to sell our line on the road. We’ve done Flea Style in Houston and Dallas with our vintage collection and received a great response.
Who is your target customer?
Our customer is your laid back all-American girl who is inspired by culture, art, and music. She’s always down to try new things and meet new people because through these experiences she learns, finds new passions, and falls in love with what the world has to offer. On the other hand, she feels most at home in a pair of blue jeans and a white t-shirt.
Blue Jean Baby will be a fusion of exactly that. Our vintage Levi’s are a focal point of our brand because they are a base on which any style can be built, like the first coat on a canvas.
Who or what inspired you to create your line?
Growing up with a very fashionable and creative mama – although she would probably tell me not to say that – and we learned a lot from her sense of style! She was always re-decorating our house and we would tag along to vintage shops around Dallas finding amazing pieces of furniture, sometimes she would re-cover chairs, or re-work vintage furniture. As we got older, we developed our own taste in vintage clothing and loved the adventure of finding new shops, scavenging for the best pieces, etc. We knew from a young age that we would love to have our own store.
We are most inspired by the craftsmanship of vintage clothing; the delicacy, quality, and thought put in are impressive. As customers, that matters to us. So, we want to deliver that same standard with our clothes.
What is your fashion background and what type of work were you involved in before developing your line?
I went to college at Arizona State University, and Taylor went to Texas State University. After I graduated, I went on to FIDM because I wanted to learn everything about the fashion industry. My first job out of college was at Topson Downs of California, a large scale manufacturer in Culver City. I was doing accessory design and development as well as sourcing for a 20 person design team, in multiple divisions. Working at Topson really gave me the tools and confidence to begin the basics of design, which starts with conceptualizing the line, and sourcing the right fabrics and trims.
Taylor went on to work in retail at Aritzia in the Chicago area, and I went to work for Versace after I left my job at Topson. Once we’d gained substantial knowledge in multiple aspects of the industry, we felt prepared to take on this adventure of our own line, Blue Jean Baby.
What stage are you at in the development process?
As far as our capsule collection goes, we are in the last stages of the development process, which is so exciting! As far as designing and sampling and getting everything right, the process is not quick, most the time things need a second sampling, as it’s hard to get everything just right. Even the smallest details cannot be overlooked to bring together a precise and inspired collection that flows just right. We should have all our complete and perfected samples done by the end of this week. From there, we’re going to do our photo shoot, look book and then we’re going into production.
With our vintage line, the development process is never really complete, because each piece is one of a kind, it requires constant searching for the right pieces. We have reliable sources for most items at this point, but there are always more places to scour! The embroidery on denim trend is really hot right now, so we’ve had a great response to that, but we try to be innovative and fresh, so we’re never really done finding new ways to rework those pieces.
What challenges did you face before working with Indie Source? How has Indie Source made a difference for your success?
We just started conceptualizing our line and brand as a whole around October 2015. So once we knew we wanted to start with smaller runs, we began looking for a boutique full product manufacturer in the Los Angeles area, as Made in USA is a crucial aspect of our line. We visited with a few, and Indie Source just stood out.
Our first meeting with Emily was great, she was able to answer all the questions we had and calm any fears we expressed to her, all the while being extremely down to earth and easy going! It felt like a great fit.
It has been amazing to work with a team that is
really just there for us, isn’t too pushy, and has been willing to both collaborate and completely sit back and let us do our thing. Having done sourcing for one of my previous jobs, it was really important to me that I was able to collaborate in this aspect- and when I expressed this, they did not hesitate to meet this expectation. I was able to spend a morning sourcing alongside Nara, which allowed me to assure that she understood what exactly I was looking for. Some places won’t give you the time to work with them side by side like that.
So the biggest challenge in designing and developing a great line is always going to be time. Everyone is always going to wish there was more time in the day to get everything necessary done, especially when you’re working with different sources that all must work together to get one style done. Our project manager, Jennifer, has played a huge role in keeping us organized and on track. Having someone like her assures that little parts of the process, like care labels and hangtags, that can easily be overlooked in the craziness of creating and developing a line, are completed and ordered on time.
As far as production, we are just getting started, but I know that having someone work out our costing, is a huge, huge plus for us. Building our brand is the most important thing to us, but making money is obviously what we came here to do. So having someone we trust to crunch those numbers and assure that we are on track is a big factor for us.
Is there anything you would have done differently?
The only thing we think we can improve on is just timing. When we decided to actually do this thing, we were in between seasons and new to the whole process, so we were designing with a certain season in mind and ended up having to adapt and change certain things to meet deadlines and ensure our product will hit the market at the ideal time to sell. When you are a creative mind, things can kind of take off in the direction of your art, but in the end, this is a money game, and staying on track is essential!
What has been the best surprise along your journey so far?
I think just the genuine response we’ve gotten from friends, family, and our vintage buyers thus far, has been the biggest victory! Having sorority sisters, and old friends reach out telling me they have told boutique owners about us, and not only that, but that they have gotten great responses, has been unbelievable!
What advice would you give to aspiring designers?
Follow your dreams! The marketplace may seem intimidating these days, everything is oversaturated and there is seemingly endless competition but staying true to YOU is what will set you apart from the crowd. You have an idea that you think is brilliant and you start Googling and you see it’s already been done. Fashion is always going to be a “knock off”. There’s no new silhouette you can come up with; everything’s been done. It’s all about putting your own flair on things. Confidence is key. My sister and I were very nervous at our fist show and the more you’re in the moment and making things happen and hearing people respond to things, it changes everything 100 percent. You have to just start doing it.
Not feeling the pressure to know it all is important. My dad was CEO of a company and he would say, “I don’t look to hire people who I’m smarter than; I want to hire people who are smarter than me”. He wanted to bring people onto his team who could teach him things and provide a new, fresh point of view.” That gave me a lot of insight. In my first meetings I felt nervous and shy about not knowing everything. But I realized the reason for working with other people is to learn and hear their ideas and get inspired from that. Knowing your strengths, and knowing when to sit back and listen to other people is key.
Everyone is afraid, no matter what people say. It’s scary to invest in yourself sometimes, but that’s the best thing you can do. Take the time to learn as much as you can before you go out on that limb, but there is no way you can know everything. Once you take that leap, you learn that you must be willing to adapt and learn as you go. Things will be thrown at you and you will be forced to make big decisions, but you will rise to the occasion, I promise!